Thursday, June 06, 2013

Pretentious Art Gallery Mix Vol. 1


A GANGLION OF LIGHTNINGS KOOL A.D.
Asteroid Goo Deastro
Going, Going, Gone (Live Version) Stars
Scratched Bicycle/Smell Memory Múm
Corners Small Sails
Betray SON LUX
Point of View Cornelius
Chanson sans issue (ne vois-tu pas) Autour de Lucie
Lonely China Day
Anywhere Anyone Dntel
Surveyor 2 DJ GoLYTELY
Relaxation Spa Treatment Dan the Automator
Freak Train Frank Lenz
Superfreaky Memories Luna
Tracy (Kid Loco remix) Mogwai
Something Told Us... Glowworm
Lot More Portishead
The Equator Tortoise
TheHollowEarth Thom Yorke
Today Is Like That Miho Hatori
Whatever You Want Club 8
Oacaca Frownland
Against All Odds The Postal Service


Exclusively curated for the Bozzi Collection

Wednesday, April 10, 2013

The New Hem Album is Very Beautiful and Also Very Sad

I appreciate the frankness with which Dan Messe has discussed the reason for the delay between albums (nearly 7 years). You could tell something wasn't right for a while there.

To hear a song like "So Long" from the guy who wrote "Strays" is truly heartbreaking. Yet there's such tenacious hope and redemption buried in that song.

From an interview with Stereo Subversion: "...We decided to call the record Departure and Farewell. Really making something that was a good summation of our career. And in the course of making this 'ending,' I actually started using pills, I actually got addicted to them. And the band completely exploded. I basically poisoned the entire well where we couldn’t even finish the final record. We were just going to walk away at one point. And it languished like that until I hit bottom and asked for help, then the band started to heal. And all of the sudden there was a rebirth, not just in terms of my own health but also in terms of the love we have for each other and the love we have for the music we make together and how grateful we are. It started out as a swan song and became a rebirth."

From the album's press release:  "Would I have traded my marriage for a song like ‘So Long?’ Definitely not. But given that my marriage was coming apart at the seams I’m glad to have that comfort."

The lyrics to "So Long": 

So long, my love
This world may not be enough
Let go but stay strong
So long, my love

What falls apart
Recalls where it was bound
Your heart to my heart 
So long, so long, love
The time has come to part

May we meet along the way
May you know that I’m 
Waiting for that happy day
When our love is unbounded by time

Love comes and goes
And our hearts cannot but strain
But there’s one who knows
How long; so long, love,
Until we find our way




Monday, February 25, 2013

Geez & First Things


Here is a piece I wrote recently about some Christian political magazines called "Why You Should Read Geez & First Things (Simultaneously)." 

Wednesday, January 02, 2013

NOBODY'S ERASING

James Kochalka recently ended his 14-year run of daily diary comic strips. I reviewed the second book for Paste magazine back in 2007 but first became aware of his comic when I saw it on the zine shelf at Elliott Bay Books in Seattle, probably back in 2003 or 2004. Sarah did something about his work for Resonance magazine around that time and his publisher sent us a huge parcel of his comics, which was awesome. (Ahh, magazines. In the olden days, I probably would have looked for a magazine to publish whatever "reflection" I'm about to write, but those days are over.)

I've never really been a "comics" person, in the sense that I've never really regularly read graphic novels or superhero comics, but I have a deep love for the comic strip form  -- Peanuts, Calvin and Hobbes, and Jim's Journal remain very important to me -- and Kochalka's strip has been another wonderful illustration of how powerful the 4-panel strip can be.

I read Alan Doane's reflection about how he isn't that into Kochalka's work any more and wondered why I didn't agree.  In a sense, I do agree; I thought I'd never been that big a fan of Kochalka's work outside his diary strip. But I thought about it a little bit more and realized that I do like most other things he's done. And then I asked myself why, since I didn't expect that to be true, and came to this strange and slightly embarrassing conclusion:

I like Kochalka's work because I love him, as a person.

I feel very weird about writing those words. But I can't think of any other way to describe it, and I suppose this is a result of his groundbreaking approach to his strip. Of course, anybody keeps most of their personal life to themselves, even when they write autobiographically. (I certainly don't feel like I  disclosed everything about myself in my memoir-ish book.) But it seems that because I've read, for over a decade, Kochalka's record of himself, his relationship with his wife and children, his vocation, and other ultimately important mundanities of life, I feel I know the guy. I care about him and his family. If my memory serves me correctly, I think I've even prayed for them before.

I feel weird about all that, and I'm sure he does too, since I'm surely not the only reader who's experienced this. But it also feels sort of sublime and nice to know that a comic strip can do that.

Thanks for a great strip, James.





PS: The title comes from this comic.